2021.01.22
《1357》──用身體說故事
偶數常被認為是「好」，而奇數則是「壞」。
眾生卻偏好後者的不平衡與無常。
《1357》聚焦生活的平衡與失衡，以劇團日常訓練和創作裏常用的其中四個創作元素──面具、肢體、物件及威也特技，分別以鏡頭視角創作四條短片，探索劇場與電影的無限可能。每條短片包括演出片段和幕後花絮。
第二集：《暴風雨》
改編自莎士比亞《暴風雨》
超市裏，經理和市場顧問表面合作無間，實則各懷鬼胎。
廣大市民瘋狂大搶購，初則推撞，繼而動武。
一眾店員機械地、麻木地折腰工作。
一場無風起浪的暴風雨，一齣習以為常的悲喜劇。
概念及導演： 黃俊達
1357
Episode 2: The Tempest
Presented by: Leisure and Cultural Services Department
Produced by: Théâtre de la Feuille
Platform: YouTube
Link: https://youtu.be/-yE9p3FEvyE
Synopsis: 1357 – Storytelling Through the Body
Even numbers are often considered “good”, and odd numbers “bad”.
But don’t we all prefer a little asymmetric, unconventional oddness in life?
1357 focuses on the symmetric and the unbalanced in life. Making use of four of the creative elements in daily training routine and artistic creation in physical theatre – mask, body, object and wire work, this production is made up of four short video clips created with snapshots which aim to explore the infinite possibilities between theatre and movie-making. Each clip covers the showcase and a behind-the-scenes featurette.
Episode 2: The Tempest
Adapted from The Tempest by William Shakespeare
In a supermarket, a store manager is working with a marketing consultant.
Behind the collaborative smiles, plots are brewing in their heads.
Frenzied shoppers are elbowing each other aside,
Escalating the rush into a brawl.
The staff just keep working, bent on their robotic routines.
Like a storm without surging waves,
The Tempest is a tragicomedy about caving in.
Series: 1357
Scheme/ Festival: Click for Arts
Art Form: Drama
Concept and Director: Ata Wong
