2020.09.20
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演出結束,掌聲如雷,大幕落下,作品完成。但創作會因作品完成也「完滿結束」或在表演者踏上台階時才開始嗎?
本特輯帶你進入編舞黃碧琪作品以外的創作世界。由概念生成,到主題研究,再到團隊互動,最後一睹作品構成;中間步步驚心、起起伏伏,盡在鏡頭展現。
黃近年的創作主要關懷性慾跟社會、文化及權力的關係。2018年首度與大館合作創作《睇・女》,今年再度合作,發展出新作《牢∞性》。
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The Creation of Under ∞ Line
Presented by: Tai Kwun
Produced by: Wong Pik Kei Rebecca
Platform: YouTube
Synopsis: Does creation end with the completion of the work, or rather does it start when the performer steps on the stage?
This video will bring you to the creative process of choreographer Wong Pik Kei Rebecca. From idea formation, thematic research, to the interaction with the creative and production team, this video will give you a sneak peak of Under∞Line, a new creation of Wong commissioned by Tai Kwun.
Wong’s recent creation focus on the struggle and relationship between desire and the society, culture and power. Her first collaboration with Tai Kwun was in 2018 with the creation of Bird-Watching. They continue their collaboration this year as Wong develops Under∞Line.
Scheme/ Festival: On Stage Online
Art Form: Dance
Choreographer and Performer: Wong Pik Kei Rebecca
Composer: Fiona Lee
Dramaturg: Melissa Leung
Installation, Costume and Image Designer: Luise Yau, Jadeson Fu
Lighting Designer and Scenographer: Lau Ming Hang
Video Director and Editor: Lee Wai Shing
Sound Engineer: Jay Tse
Producer: Andy Lo
Production Manager and Stage Manager: Eva Chau
Deputy Stage Manager: Ronly Lam
Assistant Stage Manager: Monique Hui